This softcover book is 96 pages with 64 black and white photographs and excerpts from interviews.
Size of book is 12.5x10.625 inches
Published by Free Turtledove Press
($4.00 shipping)
The photography has the ability to make us evoke the past or allow us to glimpse other lives. This is what we find in Rebels, book that gathers the life of a group of young punks in the early 80’s from NY’s East Village. With an amazing naturalness Lilian Caruana introduces us into her life and circumstances, giving them a space to be themselves.
Staf Magazine
Your photographs are fabulous. They are right up there with the best of the period. The book, too, is terrific, great energy, design, reproduction, sequencing - and most importantly, powerful, tender, meaningful, edgy, historical photographs. Congratulations.
Gail Buckland, author, curator, teacher
Just am seeing this but want to say the punk pix and i feel at a loss for not having seen them before......all your work has heart and is moving and empathetic.
Richard Sandler, photographer, film maker, author
I LOVE these so much that I'm angry that I haven't seen them before. Sheesh!
Yes, I will do whatever I can to get them seen, published, whatever.
It is so, so cool that you photographed the 80s, and I photographed the 90s! This just made my day.
Ash Thayer, photographer, author
I can't tell you how much I like and admire what you've done. The design, the text the pictures... you really got to know and tell the story of these friends and acquaintances from the inside out. You've reminded me again so much about what good work truly is.
Robert Herman, photographer, author
I truly enjoyed your work as well as the interviews. I myself adore "words" as they are often the essence of my own work. But I freely admit that I have more than once been rendered speechless when witnessing life through the eyes/lense of a photographer.
Cyndee, writer, singer
I just wanted to say i went to see your work at the John Calandra Center and i really enjoyed it. i thought they were really interesting photos that stand on their own regardless of them being portraits of "wild and crazy subjects." i remember those days...all so long ago it now seems!! and what stood out for me was the quality of the images beyond the subject matter.
Michael Senno, photographer, film maker, author
I just saw your Web page with all the photos and they are beautiful. I stumbled across it because I was looking at the photos of punks and skins from the 80's.
Bill Cashman, Hardcore roadie
AMAZON CUSTOMER REVIEWS
A different view of the NYHC scene, as the author/photographer was outside looking in. Most of the books that document LES punk/hc, were people involved and part of it. The lens of the shooter captures the story they want to tell. Lilian Caruana's captures the people who were living the scene brilliantly.
booknut
Rebels is a documentary and a true work of art. Every photograph beautifully captures the people and the scene of NYC's East Village in the heyday of the punk era. As a sensitive observer, Lilian Caruana captures their lives both with images and their own words. The creativity and camaraderie is there, as well as the darkness and deep personal and economic struggles. Almost 40 years later, it can be seen under a glow of nostalgia, but this is how it really was, unvarnished with no illusions.
Meyer
Rebels is a hidden treasure and Ms. Caruana, a gifted photographer. I found her book on a random search and was surprised by its beauty and depth - a window into East Village culture of the 1980's when youths lived wild and free and revealed themselves to her loving camera. As New York City changes and becomes more gentrified, books such as hers are invaluable documents of lost vibrancy and authenticity.
kbookie
This is a breakthrough book. Ms Caruana doesn't seek the morbid and shocking in these young people and their world, nor does she fetishize the "chic" of their counterculture. Instead, she explores their humanity with curiosity, warmth, and surprise, so that what we see becomes something quite beautiful.
Clara Geraci
A different view of the NYHC scene, as the author/photographer was outside looking in. Most of the books that document LES punk/hc, were people involved and part of it. The lens of the shooter captures the story they want to tell. Lilian Caruana's captures the people who were living the scene brilliantly.
booknut
Your pictures look amazing. I also took pics down the LES at that time! I am in the process of putting together a book also of my photos from that era. The one of Frenchy with the dog is great!!
Randall S. Underwood, Musician
A different view of the NYHC scene, as the author/photographer was outside looking in. Most of the books that document LES punk/hc, were people involved and part of it. The lens of the shooter captures the story they want to tell. Lilian Caruana's captures the people who were living the scene brilliantly.
5.0 out of 5 stars
REVIEW
JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY
Lilian Caruana’s Fascinating, Bittersweet New Photo Book Offers a Rare Glimpse of the Mid-80s New York Punk Rock SceneIn one of the initial CBGB crowd shots in photographer Lilian Caruana’s new book, Rebels: Punks and Skinheads of New York’s East Village 1984-1987, an audience member appears to be wearing a swastika patch. A closer look reveals a famous Dead Kennedys quote: “NAZI PUNKS FUCK OFF.” In many ways, that capsulizes the unexpected complexities of Caruana’s collection of black-and-white photos and brief interview quotes. It’s more bittersweet, strikingly insightful historical document than it is nostalgia.
In her introduction, Caruana puts the era in perspective. By the 1990s, punk fashion had been completely co-opted by corporate interests. Violent evictions by the police put an end to the Lower East Side squatter movement, paving the way for the destruction and suburbanization of a long-thriving artistic neighborhood. With a finely honed sense of irony – in the true sense of the word – and a wry sense of humor, Caruana portrays a long-lost subculture in their irrepressible DIY milieu.
In what might be the most surreal shot of all, a blonde girl who looks all of about fourteen sits on a mattress, her legs wrapped in a repurposed American flag. Her blank stare fixes on a black-and-white tv propped up on a milk crate. A Ronald Reagan movie plays on the screen. The pillow to her left is from the Bellevue mental ward. Decorations on the wall are sparse: a grimy handprint and a label peeled off a torpedo of Budweiser. The year is 1986. As Caruana explains, the individuals in her portraits come from a wide swath of social strata. Collectively, they feel disenfranchised. Bobby sees himself as exploited at his minimum-wage job and isn’t beyond taking a little extra from the till to make ends meet. Dave, an Army deserter, longs for the American dream but not the mortgage and suburban drudgery. Matt comes from a more affluent background but is similarly alienated by outer-borough conformity.
As grim as their worldview may be, these people seem anything but unhappy. They lounge with their pets – a colorful menagerie including rats, kittens and an iguana – practice their instruments and strike sardonically defiant poses. Recycling may be all the rage in yuppie circles now, but punks were doing it forty years ago, if only because it was a practical survival strategy.
Unsurprisingly, the Cro-Mags, the Exploited, Agnostic Front and Battalion of Saints are the bands most often visually referenced here. But what these photos remind over and over is the vast difference between the Lower East Side hardcore contingent and their bridge-and-tunnel counterparts. Hardcore may have been more relentlessly aggressive, monotonous, and implicitly violent, compared to punk. But the LES crowd was far more likely to be politically aware, multi-racial, tolerant and open to women. In other words, they remained closer to punk’s populist roots than the high school boys whose moms would drop them at CB’s for the Sunday afternoon hardcore matinee and then drive them home to Long Island in the family Chevy Suburban. Other photographers have made big bucks shooting the famous and the semi-famous in that same part of town at the height of the CB’s scene a few years previously; Caruana’s work both dignifies and illuminates a time and place too infrequently chronicled.
My work is available in archival digital prints, unframed. Contact me through my Contact Page.
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